Kuklart Magazine

Reviews

Articles

Reviews

About the magic in art

— Bogdana Kosturkova

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Rise Of Magic… Or How Witches Do Exist

— Katerina Georgieva

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The Tale of the Tramp King

— Patricia Nikolova

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Tale of the Wandering of Kindness

— Viliya Monovska

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Pumpkin Jam

— Mihail Baykov

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The Dream of the Conductor

— Mihail Baykov

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To Fly Means to Believe

— Elena Angelova

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A Play upon Words

— Katerina Georgieva

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The Lighthouse of Subconsciousness

— Viliya Monovska

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About the Rats and the People

— Svetlomira Stoyanova

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The Theater as War

— Katerina Georgieva

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Somewhere in New York

— Mihail Tazev

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1984

— Svetlomira Stoyanova

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Monsters by Duda Paiva

— Albena Tagareva

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The Land of Oz

— Zornitsa Kamenova

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Just a pair of shoes

— Gabriela Evstatieva

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A warning of future without hope

— Natalia Aleksieva

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The Ugly Duckling

— Zornitsa Kamenova

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Job – puppet theatre for adults

— Alexander Hristov

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The fairy tale as a world language

— Katerina Georgieva

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Тhe Most Beautiful in Theatre is the Beginning, When You Think up and Draw Things That You Know are Impossible

— Gabriela Evstatieva talks to the set designers Iva Gikov and Ivaylo Nikolov

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Which comes first – the hat or the head?

— Katerina Georgieva

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Just a Pair of Shoes

— Gabriela Evstatieva

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The Ugly Duckling

— Zornitsa Kamenova

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The colorful world of black and white Pinocchio

— Natalia Aleksieva

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The Fairy Tale as a World Language

— Katerina Georgieva

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Monsters by Duda Paiva

— Albena Tagareva

Reviews

The Land of Oz

— Zornitsa Kamenova

Reviews

Somewhere in New York

— Mihail Tazev

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About Momo and the Easiness of Recreation

— Olya Stoyanova

Reviews

The Dream of the Conductor

— Mihail Baykov